Dan Chung’s Japan aftermath coverage

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When the earthquake hit Japan and the tsunami afterwards reached land, maybe for one of the first times in history it became a disaster that had more citizen journalism than ever. Thousands of Youtube videos appeared on the net with videos of the tsunami rolling in, showing the devasting energy that was at least for me before that unimaginable. With the atomic catastrophy that is now hitting the country with a still unclear result for Japan and also worlds economy it is hard to say how news from there should be covered. When is much too much? What is sensible enough and what becomes disrespectful for the people? Last year in Haiti the coverage of the aftermath became some kind of disaster porn, that made me leave ashamed. In Japan I feel most of the news world till now is doing a better job.

Dan Chung, acclaimed news shooter for the Guardian and well known for his DSLR videos, came to Japan right after the earthquake and covered the aftermath. He published a short video form that on Vimeo what resulted in a big discussion about the use of sliders, music and so on.

One could argue that it was maybe a bit too much too early. At a point where the results of this disaster was still unclear. This was also one of the replies of his editor at the guardian that re-edited the piece for a more news-like piece with voices of the people that give you a different take on the situation (see below). For me personally the use of sliders is in no way a difficult choice. The pictures are stylized to some extend, aesthetical and therefore maybe different than what we see normally, but as Dan points out in his reply to the discussion (and what was also discussed here in the blog before): The aesthetic is what drives people to the picture/video and when the aesthetic helps to connect people with the story, gives them a different insight into it, there is nothing wrong with it.

The next big question is the use of music how we see it in Dan’s first piece with no other information over sound. This is in my opinion a bit more complex. It maybe has a lot to do with the time the piece was produced. There was still a need for information and still no real realization of what had happened. Music is always difficult in journalism as the line is quite small to emotionalize too much, to overlay the story and let the music drive the story and lead to something what is, especially with a unclear picture of the event, maybe wrong. But when you see a piece like Dan’s in a bigger context (maybe at a later time) it could add a layer that was unseen before and also allows to move away from the “news” and get to the “feelings” somehow. What his piece is doing great in my opinion is showing the calm after the storm, the incredible consternation of what happened. I don’t know which of the two pieces is at the end and on the long run is doing the better job: Dan’s first video or the re-edited version for the Guardian. Dan’s first take gives a more emotional insight that leaves room to think about what you see, while the Guardian piece works well for bringing the information out. Maybe Dan’s take was too early as it is more something what makes us remember than bringing the information we wanted or needed at that point. But at the end both pieces do a good job in telling a certain piece of the story, what in the bigger perspective is maybe just alright.

What is your point of view on that? Is it to cinematic and stylized or just alright and needed in news coverage?

4 Comments on "Dan Chung’s Japan aftermath coverage"

  • Igor Motl on 04.04.2011 at 8:11 pm:

    Hey Simon,
    for some reason I can not play Guardian’s version of Dan’s video (I tried on several computers but without success) but never mind.
    I’m positively surprised by his short reportage and by the way he did it. Emotional and eye capturing story and what is most important without necrophilia elements that are something like a standard in stories nova days. Through Dan’s short video is easy to connect with a tragedy itself and it’s easy to empathize with people involved in a story but again with a dose of pride and dignity.
    Personally, I like it and I wish there is more Dan’s like aftermath imagery.
    All the best,
    Igor

  • Simon Sticker on 05.04.2011 at 11:36 am:

    Mh, that is strange. It’s playing on my computer… Can’t really figure out why it is not working for you. Can you see it on the Guardian site?

  • Igor Motl on 06.04.2011 at 1:18 pm:

    Problem solved. I updated flash player plug-in in my browsers. Somehow, my anti-virus software prevented my browsers from automatic update. Strange, but solved.
    Igor

  • Yann Verbeke on 09.04.2011 at 11:19 am:

    Hi Simon,

    I remember seeing the video for the first time on the Guardian website and I have to say I was a bit confused. At that time everyone still hoped to find people alive. I read the buzz and all the reactions this film created. My opinion is not so radical. The confusion in my head (and heart) came from the slow pace and calm, whereas in reality people were fighting against the clock to save lives. But on the other hand the big news channels kept on showing the same images on and on – which doesn’t bring new information or doesn’t propose another channel of communication.

    This film by Dan Chung does offer another angle.

    It made me think of this video on the aftermath of the earthquake in Haiti: http://www.vimeo.com/9608637

    Yann

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